Beethoven :: essays research papers

It has been called the greatest audio entity one could everlisten to a song which can pierce the soul of even the intimately consecrate music-hater Beethovens Ninth Symphony. Notonly has it been designated thus also, as one of the fewtruly divinely inspired works, one which most men can onlymarvel at, as they wallow in their appropriate humility.These creations, however, are definitely not the onlyaspects of entities beyond the scopes of men there are farmore examples, which are seen every daylightlight, only if oftenoverlooked. I was walking outside, with this song echoingin the recesses of my listen, on a dismal, overcast day in theAutumnal quarter, a day when where the streets blendedwith the atmosphere, when one could hardly look upwithout feeling the flame of the wind once morest ones face. Tome, these days have always conjured up images of almostdistant, looming storm, some silent tempest which, if nototherwise distracted will soon wreak mayhem and disasteron my enviro ns. This day had an intense air about it, as doothers of its ilk. This is most promising the fault of the stormunder which it is shadowed, as though it and its inhabitantsare anxious and harrowed about the imminent predatorwaiting overhead to pounce. As the thresh about overhead swamwith deeper and deeper shades of gray and hopeless black,the song in my mind was reaching some vocal crescendo inthe fourth movement, a better foreteller of the gale I couldnot imagine. While the winds bullied and tormented thedefenseless neighborhood, I started for my house.Unexpectedly, as the crescendo was losing speed, a quiet,pacific violin entered the musical nark in my brain, and theentire mood of the symphony mellowed, the windsthemselves pacified, seemingly under Ludwigs fickledominion. Thinking the storm had passed, I continuedblissfully ahead to the meadows which were mydestination. Again I was assaulted, this time by a different character reference of the symphony not too long after the first chorale.This was the blow out of the water and almost fearful, but still uplifting,part in which the fe masculine and male vocals collided like twohuge tidal waves with the power to splinter a fleet of shipswith the German Alle Menschen repeated several times.Upon this onslaught of euphony, I cancelled from whatever Imight have been thinking before, and looked at someviolently twisting and rising leaves and other debris, andgazed at the playful heavens, again ominous. Annoyed withBeethoven and the cruel elements, I stood there, unmovingindecisive, not perspicacious whether to turn around or pursuemy present course, I felt up the excited chorale still striking