The Genius of Klassik Komix :: Klassik Komix Essays

The Genius of Klassik Komix     In Klassik Komix Steven Millhauser uses the well-known poem, The Love Song of J. Alfred Prufrock by T. S. Elliot, to create an intermediary between complex poetic prose and the simplicity of the unsullied absurd book. He uses descriptive language to beautifully capture the magnificence a writers medium in the literary get wordation of his/her work season also demonstrating his love for the fancy.    The original form of The Love Song of J. Alfred Prufrock is a poem, made up of poetic prose. Prose can vary in lexical makeup, which is decided by the writer, moreover usually consists of descriptions of subjects that allude to, and are kindred of, the underlying thoughts of the writer. This gives the lines a common sense of vague beauty that allows the proofreader to interpret meanings in his/her own mind in contrast to simply spell out out the meanings. Poetry has the ability to evoke upon the reader a sense of ref lection and deep thought in an effort to understand the gist that the writer is delivering.     The classic comic book is a polar reverse of the complex nature of poetry. The comic book is designed for the younger reader and possesses a simplistic nature that allows the creator to use visual media have with short written dialog to tell a story. The pictures in a comic book are an integral part of the makeup of a comic book. The pictures allow the creator to portray the protagonist and antagonist in a way that is common to all readers. This however inhibits the use of imagination by the reader. The pictures are all an artists interpretations of the actions and settings that make up each scene. When a person reads descriptive text with no pictures, it allows the reader to build a mental picture of each scene that is unique to his/her own personality. The comic book does not allow for this expressiveness in its prefabricated structure.    Millhauser elegantly combines these two literary vehicles in his work Klassik Komix in a way that simplifies the form but still allows the reader to use his/her mind to draw its own pictures. In the room women come and go / Talking of Michelangelo(stanza 3).