Black Is Black Aint Essay

The final take in by Marlon Riggs, char is sinister aint, is concerned with the state of the Afri sack American community. This film essentially asks the question, what does it plastered to be opprobrious? The director and producer, Marlon Riggs, guides viewers along an an up-front examination of racism, sexism, and homophobia at heart the forbidding community itself. Bringing together personal stories, interviews, music, history, and perfor piece of musicce, Black Is Black Aint asks African Americans What is barren, black enough, or too black? 1 Unfortunately, the AIDS-stricken director died before the film was completed.This film operates as a kind of last will and testament for Marlon Riggs. He bequeaths the idea that hard-and-fast notions of what is or is not black behavior, of who is or isnt black, need to be abandoned for the sake of strengthening the sentience of community within the race. 2 The beginning of Black Is Black Aint explores the meats associated with wor d black. I was very surprised to discover how intimately black people didnt prefer being beefed or labeled black. Everything associated with the word black leads to pull down and fear. Hence, the word black made most feel less than.At this time, a code of silence existed amongst black people. Living in a society that might lynch a person for being black, it makes superstar that celebrating your pitch blackness was forbidden. This eventually leads to the emasculation and castration of the black male. Pre civil rights, most black males were viewed as laughing, singing, entertainers and servants. The men were considered weak, and the women were considered strong and unwomanly. Anything associated with looking black was considered bad. The film uses the example of white hair as the good hair and frizzy curl hair as the bad hair.Post civil rights, appear of centuries of emasculation, the black man needs to reclaim his power. Black people instantly embraced the word black as an a ct of self-empowerment. The black man at a time became patriarch. Black Is Black Aint forcefully confronts the identification of blackness with a hyper-masculinity born of the 60s Black Power movement. 3 Unfortunately, this self-empowerment has the capacity to remit as well as liberate.The film reminds us that slavery and its viewing involved the emasculation-physical as well as psychological of black men, the thrusting for black power was usually taken to mean a call for black male power, despite the needs of (and often with the complicity of) black women. That continues to lead in the devaluing of black female contributions to the liberation struggle and in the command of black women in general. 4 The result of emasculation became hyper masculinity. This phenomenon confined the meaning of what it meant to be black even further. For example, to be black is not to be homosexual. This is due to the notion of homosexuality as the ultimate weakness.Hence on that point is often prejudice of homosexuals in the black community. The homophobic initiative from the black Catholic Church doesnt make the situation any better. Hence, Marlon Riggs ties in his own story as a gay black man with AIDS. It really assists the film in showing the restrictions that exist in black unity. So what is the black identity? Are you black enough? Do you talk black? Are you a hyper masculine heterosexual male with kinky hair and a criminal record? I can see how it must be difficult to maintain a sense of communal self.Angela Davis one of the speakers in the film, provides this answer You take some color, a dash or a big dollop, it dont matter, and you unite it with an assortment of physical features that reflect every face you might mayhap encounter on this great earth, mix that up with a farming that just loves to improvise, signify, reclaim, renew, and read and youve got, the recipe, for black folk. 1 Independent Television process 2 Cliff Thompson, Black Is Black Aint 3 In dependent Television Service 4 Cliff Thompson, Black Is Black Aint.